Starring the mild yet brilliant Eddie Redmayne (Les Miserables) as physicist Stephen Hawking, and the captivating Felicity Jones as his wife Jane, The Theory of Everything is a memorable film for many reasons.

The film’s depiction of one of the most genius minds of this age is real and human. Redmayne portrays Hawking as a young man on the brink of a truly magnificent breakthrough in the world of science. While studying at Cambridge, he quickly falls in love with fellow student Jane Wilde.

They form an unlikely match from the beginning. Their beliefs in theory and faith vary widely. However, the two begin a relationship despite their differences.

After Hawking is diagnosed with a motor neuron disease, Wilde chooses to marry him and even begin a family. Her struggle with her husband’s physical degeneration and her choice to raise a family and care for him form the backbone of the film.

Redmayne’s portrayal of this physical degeneration is quite remarkable. His progression in character is very accurate and amazing to observe. While Hawking’s physical capability was decreasing, his mind and personality were still intact. Redmayne is able to maintain the sense of wit and brilliance that he had, while illustrating the challenges that his condition caused.

Jones’ depiction of Hawking’s long-suffering wife is touching, yet slightly unbelievable. While Redmayne’s physical appearance changes markedly through the course of the film, Jones does not appear to grow any older.

This film, directed by James Marsh has been suggested as a “shoo-in” for the Oscars this year. It leaves a lasting impression. It is relatable and touching because of its relayed message about human passion and enduring love.

The Theory of Everything focuses more on the personal life of Hawking than his professional scientific work. This makes it more emotional and intriguing because of the different element it shows about the great “master of time”.

With more depth than a chick-flick and more interest than a comedy, this movie is equally capable of making one cry or laugh because of its moments of feeling.

The result is a film that is as tragic as it is triumphant.